| Creating a Color Control
Culture, Part 1: Taking Control of Incoming Files and Proof
Control
The first step of implementing a Color Control Culture is,
taking control of "incoming." You will keep the
customer coming back time and time again.
Criteria for Optimized
Process Color Ink Set
Understanding of the differences between the scanned image,
the proofing system and the printed piece helps to improve
communication and the success of the job.
Linearization
of the Imaging Process
Dot for dot, your job is to ensure that the image setter,
film positive and stencil are reproducing original color data. That's linearization, and it's just a measure away.
Say, You Want
Some Resolution?
Some believe that a good scan is one that tingles your retinas
with blinding contrast and vivid, saturated color; however,
the reverse is usually true.
File Formats
An explanation of common file formats used in the industry.
Speed up Your Production with a Registration System
Discover the benefits of a pin registration system.
Improving the Tonal Range of an Image
Learn about tonal compressions to improve the quality of your images.
A Few Words On JPEG Compression
The JPEG file format creates small files, but there are drawbacks. Learn what they are in this article.
Understanding Hue Error and Grayness
All pigment used in inks is not pure. Find out how hue error and grayness are affected.
Computer-to-Screen & Film Technologies for Screen Printing
Here is a review of the various technologies used for making stencils.
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